23 August marked the International Day for the Remembrance of the Slave Trade and its Abolition.

Harewood openly acknowledges its past, and to mark this anniversary we have commissioned a series of blog posts to explore what this means for Harewood and Leeds today.

In this blog, Olivia Wyatt, researcher, historian and Harewood volunteer challenges the ‘facts’ of the archive.

Content warning: this article includes details of the experiences of enslaved people and historical illustrations that may be distressing.

Challenging the ‘Facts’ of the Archive

‘The report of the Committee,’ wrote John Robley, Lord Harewood’s attorney for Tobago, ‘I think your Lordship will find highly interesting & satisfactory’.

This letter referred to a slave conspiracy in Tobago which was foiled in December 1801. One of the two principal conspirators, Anthony, belonged to the Lascelles-owned Mesopotamia plantation.

The committee of which Robley wrote was convened to investigate the conspiracy, and they concluded that a few ‘artful’ individuals intended to lead intoxicated ‘ignorant negroes’ into open rebellion.

Whether or not the rebels agreed with this summary of their conspiracy is a mystery; therefore how can we interpret the resistance of enslaved people when we can only conceive of it through the lens of their oppressor?

This is why Michel-Rolph Trouillot wrote of the need to analyse the power behind the process of historical production, which silences some narratives and empowers others. Those who are not considered ‘victors’ are often unable to present their perspectives in the historical material. This helps explain why Orlando Patterson advocated for historians to ‘stop defining slavery through the experiences of slaves’.

Rather, slavery should be understood as a system of social death which attempted to use violence to alienate and dehumanise Black people for profit. Examinations of resistance are therefore, perhaps, as Vincent Brown posits, more useful than attempts to reconstruct the condition of slavery.

The efforts of enslaved people to reshape their world reveal their politics, their dreams, and their dissatisfaction with their environment. Far from rendering enslaved people as docile and unfeeling, examinations of resistance could give them the voice they were denied. Nonetheless, this task becomes difficult when their resistance is presented through the mediums of their oppressors.

I will therefore dissect one of the portrayals of Anthony in the archive, to show that there are ways to look beyond the oppressors’ attempts to further subordinate enslaved people through their control of the narrative.